| History of office chairs |
Designers favor of the one hand, they absorbed the functions and emphasize practical, economic, and a comfortable law; at the same time, the development of furniture design in the traditional style of wealth among the human touch, forming a so-called "soft" style of furniture design. Danish furniture designer Kai Erke Lint (Kaare Klint) is the Danish school of modern design Kaishanbizu. He has concentrated on features, and great respect for the characteristics of their own materials and crafts traditions, and be good at absorbing different cultures and different historical stages of the essence, created a close-to-natural language. All these constitute the main characteristics of the Nordic style. Sweden, Finland, the designers also developed a style, their achievements, beyond national boundaries, and in the international community had a wide-ranging implications, and indicates the "organic modernism" certain characteristics.
In the 1950s, Scandinavian furniture created a new leap in its "simple and organic," the shape and "natural color and texture," once again was widely welcomed by people. Danish furniture designer Hans Eugene (Hans Wegner) is one of the most important designers. Eugene I was a superb skill of a carpenter, furniture master the structure, processes and materials texture. He rarely has the design features of those who used the blunt edges and corners, are processed into the corner of the sleek curves make elegance and a feeling close. Oriental furniture elegant simple shapes in his works have an impact when he had been designed with Ming furniture features a series of "China's chairs." (See Figure 1)
Scandinavian furniture design the most prominent on behalf of the state of Denmark. Denmark has a well-traditional hand-made furniture, the industry developed, the first in the 20th century, mass production of furniture in very small companies and manufacturers, the furniture industry is mainly of small handicraft factories, these factories of the low level of mechanization . Most furniture designers use of natural wood, and much of the modern design of their home favorite plywood, and the building blocks of steel, plastic and other synthetic materials are rare. By the late 1920s, the Bauhaus by the respected beginning to affect the function of the Nordic countries, the most obvious impact of this is reflected in 1930 in Stockholm Sweden at the Expo, the Expo will feature the design concept and quickly spread to Scandinavia Various countries. However, early features are strictly those of the geometric forms of furniture and metal pipe that had not been given the Nordic |
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